Tom is the music supervisor for the new NBC drama, “Rise,” and is responsible for the music supervision, arrangements and orchestrations for Jagged Little Pill, SpongeBob SquarePants, “Grease Live!” and Green Day’s American Idiot on Broadway. Other composing credits: If/Then (Tony Nomination) High Fidelity Bring it On, The Musical Disney’s Freaky Friday and The Winter’s Tale, All’s Well That Ends Well, and Cymbeline (The Public’s NYSF). TOM KITT (Music and Lyrics) received the 2010 Pulitzer Prize for Drama as well as two Tony Awards for Best Score and Best Orchestrations for Next to Normal. He also created and produced the television series "Penny Dreadful" for Showtime. His film work includes Skyfall, Spectre, Hugo, The Aviator, Gladiator, Rango, Genius, Coriolanus, Sweeney Todd, The Last Samurai, Any Given Sunday, and RKO 281. Logan’s upcoming theatrical work includes Moulin Rouge! As a screenwriter, Logan has been three times nominated for the Oscar and has received a Golden Globe, BAFTA, WGA, and PEN Center award. He also co-wrote the book for the musical The Last Ship and is the author of more than a dozen other plays including Never the Sinner and Hauptmann. In 2013, his play Peter and Alice premiered in London and I'll Eat You Last: A Chat with Sue Mengers opened on Broadway. Since then, Red has had more than 200 productions across the US and has been presented in over 30 countries. This play premiered at the Donmar Warehouse in London and at the Golden Theatre on Broadway. JOHN LOGAN (Book) received the Tony, Drama Desk, Outer Critic Circle and Drama League awards for his play Red. Select regional: McCraney's Choir Boy (Geffen and Alliance, NAACP and Suzi Bass awards), Guare’s Six Degrees of Separation (Old Globe), Richard Greenberg's The Injured Party (South Coast Rep), McNally's Unusual Acts of Devotion (La Jolla Playhouse), Christopher Durang's Betty's Summer Vacation (Bay Street), Bess Wohl's Touched (Williamstown Theater Festival), Michael Friedman and Daniel Goldstein's Unknown Soldier (WTF), Wohl's Barcelona (Geffen, Ovation nom.), Tennessee Williams' The Rose Tattoo (WTF). London: Bock's The Colby Sisters of Pittsburgh, PA (Tricycle). Royal's Dog Sees God (Century Center), Bock's The Drunken City (Playwrights Horizons), Weitz' Roulette (EST), Jonathan Tolins' The Last Sunday In June (Rattlestick and Century Center), Gina Gionfriddo's US Drag (stageFARM), and several productions with The Play Company. Select NYC: John Guare’s Six Degrees of Separation (Barrymore), Joshua Harmon’s Significant Other (Booth), Anna Jordan's Yen (MCC), Halley Feiffer's A Funny Thing Happened On The Way To The Gynecologic Oncology Unit At Memorial Sloan Kettering Cancer Center Of New York City (MCC), Harmon's Significant Other (Roundabout), Feiffer's I'm Gonna Pray For You So Hard (Atlantic), Simon Stephens' Punk Rock (MCC, Obie Award), Tarell Alvin McCraney's Choir Boy (MTC), Julia Jordan and Juliana Nash's Murder Ballad (MTC and Union Square Theatre), Headland's Assistance (Playwrights Horizons), Bock's A Small Fire (Playwrights Horizons, Drama Desk nom.), Adam Rapp's The Hallway Trilogy: Nursing (Rattlestick), Bert V. TRIP CULLMAN (Director) has staged seven productions at Second Stage, including Kenneth Lonergan’s Lobby Hero Leslye Headland's The Layover and Bachelorette Jon Robin Baitz's The Substance of Fire Paul Weitz's Lonely, I'm Not Terrence McNally's Some Men and Adam Bock's Swimming In The Shallows. All of this, plus the previously announced Broadway productions of Young Jean Lee’s Straight White Men and Harvey Fierstein’s Torch Song at the Hayes, promises to make our upcoming 40th season, both on and off Broadway, a highpoint of Second Stage’s four decades of bringing American plays to life.” In 2019 we’ll bring Christopher Shinn’s acclaimed play, Dying City, back to New York for a well-deserved second viewing through the lens of the fearless young director Lila Neugebauer. And a world premiere musical is always an event, but one that combines the talents of Tom Kitt, John Logan, and Jason Moore promises to be something truly remarkable I can’t wait for audiences to discover this fresh and emotionally powerful new musical. “The world premiere productions include Steven Levenson’s Days of Rage, which taps into a young and vital political impulse that I think is very important at this moment in our country, and it’s in expert hands with Trip Cullman who steered Lobby Hero to renewed life on Broadway this spring. “I’m incredibly excited to celebrate our 40th Anniversary with a fantastic line-up of works that includes both world premieres and celebrated plays that deserve a second viewing,” said Artistic Director Carole Rothman.
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